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Cheii - Navajo Grandfather
An Original Bronze by Michael Gorman
“Cheii” is a timeless representation of Navajo pride, resilience, and gentleness. In Navajo we have two words for grandfather: Cheii - one’s maternal-grandfather and Nalí - one’s paternal-grandfather.
My Navajo heritage and upbringing comes from Shicheii - my grandfather. He was dibé łizhiin, born for Kinyionny. He was a Navajo Code Talker and a primary force in my life and in my art. Though this is not a direct representation of him.
If you look closely at his face, you can see two ages: a young man looking forward and an old man with a lifetime of memories. I want this piece to convey the timelessness of our existence as Navajo People: on the one hand, a generation leaving and at the same time a new generation moving forward.
“Cheii” incorporates this and 3 other elements to tell his story: the blanket, the hat and the traditional tsíeł. These combine to show that our traditions and lifestyle not only survive but are alive and changing with the times.
The blanket is representative of our encounter with the Spanish. Spider Woman and Changing Woman brought weaving to the Navajo. When the Spanish came, they brought Iberian sheep which greatly influenced our weaving and from which the Navajo Churro sheep are descended. The pattern is of an early Chief’s Blanket, a turning point in Navajo weaving.
The hat represents our encounters with the United States and our current status as US citizens since the treaty of 1868. As the United States expanded west, the reservations were formed. The American Cowboy hat replaced that of the Mexican Gaucho and is commonplace.
The tsieł is the traditional hair style of Navajo men and women. Boarding schools forced us to cut our hair. Today, many serve in the US military and cut their hair, but many grow it back in later years. If not their hair, they wear turquoise or silver - protection. In this way they keep a connection to our traditions.
It is in this world we now live and the world in which our fathers and grandfathers: the Code Talkers grew up. A juxtaposition of multiple worlds converging but not always reconciling. As children, they were told to leave their culture behind but as Marines they fought for that same country. As Code Talkers, they took their language to war - Diné Bizaad yee Nidaazbaaʼígíí.




Only 3 parts of this edition remain available: #18, #19, & #20. The current retail price is $4,200.
As the edition sells out, this retail will increase to $4,900 and $6,000
Castings
This sculpture was completed in 2018 in ceramic. Molds were created in 2019 and a single cast exhibited in Taos' 40 under 40 show and was submitted to the Gallup Inter-Tribal Indian Ceremonial's 2020 Art Show where it won a 2nd place ribbon in sculpture for Gorman (1st place going to another Gorman sculpture, Inner Child).
Each bronze was made using a lost-wax casting technique. Huberto Maestas of San Luis cast the final bronzes and assisted with applying the final patina as directed by Gorman.
The record of casting is as follows:
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Artist's Edition - 20
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Artist's Proof - 2
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Foundry Proof - 2
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Record Casting - 1
Features & Awards

Taos 40 under 40, Taos NM, November 2019
Gallup Inter-Tribal Indian Ceremonial, Second Place, Gallup NM, 2020
Town of Taos 'Toas Is Art' Banners, Taos NM, 2020
Taos Gallery Guide, Taos NM, 2020
Millicent Rogers Museum - New Mexico Artists Around the Kitchen Table, Taos NM, October 2023
GallupARTS, Honoring the Families of Navajo Code Talkers, Gallup NM, July 2024
ART123, History in the Making, Gallup NM, 2025
